Japanese Woodblock Prints

The Honolulu Museum of Art is home to the third largest collection of Japanese woodblock prints in the United States, with more than 12,400 works. It includes the prestigious James A. Michener Collection, gifted to the museum between 1950 and1991. The museum’s holdings in this area range from 15th-century Buddhist prints to contemporary works. However, its main strength lies in ukiyo-e prints and woodblock-printed books from the Edo period (1615–1868), including a deep representation of prints by Utagawa Hiroshige and Katsushika Hokusai.

Modern works include New Prints (shin hanga), which combine traditional woodblock printing techniques with Western artistic methods such as linear perspective by 19th- and 20th-century artists like Hashiguchi Goyō, Kawase Hasui, and Itō Shinsui, as well as Creative Prints (sōsaku hanga), whose makers, including Onchi Kōshirō, Saitō Kiyoshi, and Hiratsuka Un’ichi, embraced the goals and techniques of Western modern art even more enthusiastically. 

Highlights from the collection

Takiyasha the Witch and the Skeleton Specter from the story Utō Yasutaka
Utagawa Kuniyoshi (1797–1861). Japan, Edo period (1615–1868), c. 1843–1847. Woodblock print; ink and color on paper. Gift of Victor S.K. Houston in honor of his wife, Pinao Brickwood Houston, 1941 (11641.06
Great Wave Off Kanagawa from the series Thirty-Six Views of Mount Fuji
Katsushika Hokusai (1760–1849). Japan, Edo period (1615–1868), c. 1830–1832. Woodblock print; ink and color on paper. Gift of James A. Michener, 1955 (13695)
Okita from the series Seven Beauties Applying Make-up
Kitagawa Utamaro (1753–1806). Japan, Edo period (1615–1868), c. 1789–1801. Woodblock print; ink, color, and mica on paper. Gift of James A. Michener, 1969 (15490)
Night Snow at Kanbara from the series The Fifty-three Stations of the Tōkaidō
Utagawa Hiroshige (1797–1858). Japan, Edo period (1615–1868), c. 1833–1834. Woodblock print; ink and color on paper. Gift of James A. Michener, 1971 (15927)
Kintoki and a Bear
Torii Kiyomasu I (active c. 1696–1716). Japan, Edo period (1615–1868), c. 1700. Woodblock print; ink on paper with hand-coloring (tan-e). Gift of James A. Michener, 1975 (16576)
A Woman Applying Makeup
Hashiguchi Goyō (1880–1921). Japan, Taishō period (1912–1926), 1918. Woodblock print; ink and color on paper. Gift of James A. Michener, 1983 (18890)
Ichikawa Ebizō as Takemura Sadanoshin in the play Koi-Nyōbō Somewake Tazuna
Tōshūsai Sharaku (active c. 1794–1795). Japan, Edo period (1615–1868), 1794. Woodblock print; ink, color, and mica on paper. Gift of James A. Michener, 1989 (20656)
Object No. 1
Onchi Kōshirō (1891–1955). Japan, Shōwa period (1926–1989), 1954. Woodblock print; ink and color on paper. Gift of James A. Michener, 1991 (21602
Courtesan
Kaigetsudō Dohan (active c. 1710–1736). Japan, Edo period (1615–1868), c. 1710. Woodblock print; ink on paper. Gift of James A. Michener, 1991 (24453
Lovers Sharing an Umbrella
Suzuki Harunobu (1725–1770). Japan, Edo period (1615–1868), c. 1766–1767. Woodblock print; ink and color on paper. Gift of James A. Michener, 1991 (21736)